The book Archive of Dreams is published in conjunction with the exhibition of the same name that will open the Archiv der Avantgarden.
Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924,
the volume is dedicated to the surrealist movement as well as the networks it engendered and the artistic stimuli it provided in the twentieth century.
The idea was for the Bureau to collect dream testimonies in whatever form, not only to preserve and analyse them but also to give active expression to them in artistic processes.
The publication shows how the practices of the avant-gardes blurred the boundaries between dream and reality, between the traditional, passive notion of the archive and the idea of active, innovative artistic experiment—and thus ultimately also between the past, the present, and possible futures.
1. Archive of Dreams: Between the Bureau of Surrealist Research and the Labyrinth of Knowledge – Przemysław Strożek (p.26)
2. Automatism, Biomorphic Forms and Surrealist Bodies (p.88)
3. Claude Cahun, Dreams (pp.106–107)
4. Collobert, Duval, Lazare, Dreams (p.99)
5. Decentering the World Map in the Time of Surrealism (p.170)
6. Dialogues with Surrealism: From Art Brut to Situationist International (p.244)
7. Dreams That Money Can Buy (1947): Psychoanalysis, Surrealist Office and the Process of Assembling an Avant-Garde Archive – Przemysław Strożek (p.134)
8. Dream Notes, Archived Dreams (p.76)
- Robert Desnos, Dreams (p.77)
- André Breton, Three Dreams (pp.78–79)
- Giorgio de Chirico, Dreams (p.87)
9. DYN’s Archival Visions of Surrealism in Mexico – Erin McClenathan (p.184)
10. Egidio Marzona in Conversation with Friederike Fast (p.312)
11. Fallen Dreams and Miraculous Constellations: Notes on Archival Modernism – Sven Spieker (p.64)
12. Fighting Hitler and His Ideology (p.200)
13. Geoffrey Hendricks, [Dream] / Carolee Schneemann, [Dream] (p.293)
14. Jindřich Štyrský, The Dream of the Father / Meret Oppenheim, Dream (p.215)
15. Labyrinths of Myth and Desire – Kristoffer Noheden (p.218)
16. Man Ray, Dream (p.303)
17. Networked Dreams and Archiving Practices (p.118)
18. Networked Dreams in Exile: Surrealists in New York in the 1940s (p.128)
19. Performing Dreams: Geoffrey Hendricks and Carolee Schneemann – David Wittinghofer (p.294)
20. Self-Archiving Practices by Marcel Duchamp (p.234)
21. Surrealism and the Popular Culture (p.270)
22. Surrealism, art history and the Old Masters Gallery in Dresden (p.306)
23. Surrealist Manifestos (p.70)
24. Towards Surrealism (p.40)
25. What is the Minotaur? (p.164)
26. Counterculture Cinema as Archival Labyrinth: Charles Henri Ford’s Queer Cult Film, *Johnny Minotaur* (1971) – Abigail Susik (p.276)
27. Activist and Countercultural Networks of Surrealism (p.258)